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Carrie Hennessey, Soprano
Hometown: New Hope, MN
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Known for her ability to bring great musical and theatrical depth to her performances, soprano CARRIE HENNESSEY is a powerful and talented artist.

“With her strong lyricism and impressive stage presence, soprano Carrie Hennessey gave voice — and body — to Sarah’s fears and frustratio...and her newfound religious fervor.” in the Bay Area Premiere of Jake Heggie’s The End of the Affair. Her portayal of the title role in the West Coast Premiere of Tobias Picker’s opera Emmeline earned her a nomination in the 2010 Bay Area Broadway World Awards for Best Leading Actress in a Musical. She brought “exquisite vocal purity and range to the title role” and was “nothing short of sensational”. With West Bay Opera as Mimì in La Bohème, she was said to be “..possessed of a full, powerful lyric soprano, which delivers Puccini’s arias and duets richly. Her “Mi chiamano Mimì” (Yes, they call me Mimì) in Act 1 is gorgeous". On only one day’s notice, Ms. Hennessey made her debut with the Modesto Symphony Orchestra, as soprano soloist in Mahler’s Symphony No. 4, to great acclaim.

In 2014/2015 Ms. Hennessey will make an exciting role debut as Blanche DuBois in Andre Previn’s A Streetcar Named Desire and as soprano soloist in the dramatic Verdi Requiem. The season also includes several concerts and recitals series. The 2013/14 season included the beautiful and complex role of Sarah Miles in the Bay Area premiere of Jake Heggie’s The End of the Affair, a reprise of The Woman in La Voix Humaine, Mimì in La Bohème, Bachianas Brasileiras No. 5, soloist in Mendelssohn’s Elijah and Lobgesang, the Brahms Requiem, Vaughn-Williams’ Dona Nobis Pacem appearances on multiple concert and recital series and Mahler’s epic symphonic song cycle Das Lied von der Erde. In 2012/13, Ms. Hennessey made several appearances with Sacramento Opera in concert. She also sang the role of Lauretta in Puccini’s Gianni Schicchi as well as Magda and Floria Tosca in Puccini: A Man and His Muses. Other performances included a World Premiere of a song cycle by Mark Vance written for Ms. Hennessey and the Rootstock Percussion Trio, Mozart’s Exsultate, Jubilate!, Coronation Mass, the Faure Requiem, Bernstein’s Jeremiah Symphony, Josephine in H.M.S. Pinafore, the Duruflé Requiem, several concert and recital appearances and a European tour as soprano soloist in the Mozart Mass in C minor and the stunningly dramatic and rarely performed Dvorak Requiem in Rudolfinum Hall in Prague. 2011/2012 engagements included her European debut at the International Mahler Festival in Czech Republic singing Mahler's Lieder eines fahrenden Gesellen, her NYC debut in Poulenc's French melodrama La Voix Humaine, as well as performances of the Mozart Mass in C minor, Mahler’s Ich bin der Welt, Beethoven’s 9th Symphony with Grand Rapids Symphony, Carmina Burana with Oakland East Bay Symphony and Mozart Requiem with Modesto Symphony Orchestra, and the Dvorak Requiem, along with several recital, concert and Master Class appearances. In the 2010/2011 season, Ms. Hennessey debuted as Cio-Cio San in Madama Butterfly. She also appeared as soprano soloist with the Grand Rapids Symphony in Carl Orff’s Carmina Burana and with the renowned Pacific Symphony in Handel’s Messiah. With the Oakland East Bay Symphony in the Brahms Requiem, Hennessey brought “bright tone and elegant legato”. She has also appeared with Townsend Opera Players as Hanna (The Merry Widow), and with Sacramento Opera as Giannetta (L’Elisir d’Amore) and Edith (Pirates of Penzance), as soprano soloist in Stravinsky’s ballet Pulcinella at the Mendocino Music Festival and with members of the Sacramento Philharmonic Orchestra in Heitor Villa-Lobos’ Bachianas Brasileiras No. 5 for Voice and Eight Cellos.

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Carrie Hennessey, Soprano
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